Drama is a matter of taste. Subjective. How dramatic do you want your surroundings? Starting with white columns, I made them dramatic. Client was home during painting, and very worried after the first day. I gave her a piece of white chalk and told her she could "X" out areas that bothered her, draw a box around areas she liked. This is the "FRIEND" column, it looked the best during the whole process. It was the first one I worked on, when I was least tired, it had the best lighting from the window...
Imagine how hard it is to make three separate things look like they belong together, not matchy-match, but coordinated, cut from the same stone.
From bold, to subtle, what the client wanted:Washed out, or just right? Subtle. Sublime. Soft. Suggestions of colors.
THE CLIENT IS ALWAYS RIGHT. Some things I will argue for, try to persuade from an artistic point of view. But in the end, it is their home, their art, their money, and yes, they get their way. I can go home and paint my own, another day. My preferences: bolder, like this:
Next time I paint marble/stone:
1. I will do 10 sample boards and let the client choose before hand the coloring, drama of lines, width, direction before I start painting. Sometimes the vocabulary gets in the way, my definitions vs. what client understands. It is easier to choose & point and say "Make it look like that!"
2. I will use some metallic paint to add texure & shine (the reflective little bits of mica are one of my favorite parts, but client did not want any metallic).
3. Try oil paints to float the glazes and open up the drying time.
4. Not take clients during December, schedule for January.
5. Carry business cards with me, always. Referrals are the best clients.
6. Pay someone to clean up for me.
7. Pay someone to take professional photos for portfolio purposes.
Showing posts with label before and after. Show all posts
Showing posts with label before and after. Show all posts
Thursday, December 8, 2011
Thursday, December 1, 2011
Friday, October 22, 2010
Beach Sunrise With Palms and Chairs
From start to finish here is how I do a beach mural:
I strongly suggest client finds bedding first, before I come to paint. Solids are easy to work with. This client chose a bedspread that made the her think of her favorite things about the ocean. It is much, MUCH easier for me to use the colors from your fabrics, than for you to try and find a finished bedspread that coordinates with colors I choose. FABRIC FIRST. I will make it blend. That is my job!
Add water/wave lines, cloud mid-tones.
A small bedroom this size with focus wall and closet and small wall to left and seagulls is a $300 project plus $25 for SUPER GLOW IN DARK paint effects. Not counting basecoat painting. If I do all the prep work, I have to charge more for my time.
But it is worth it! Paint transforms a room, and you can be on vacation every day for the price of one plane ticket!
Sunday, December 6, 2009
Painting for Parents
This is AFTER: muted colors, a veil of sage-jade washed over the entire mural to mute it, on purpose.

BEFORE: brighter contrasts, purple shadows stand out against greens. Whites are really white. Client saw it at this point and wanted it more muted. Can do, as seen above.
Seagull picture I took out on the Great Salt Lake on screen saver, and now painted on wall! Print hanging on wall is an original David C. Babcock, also with birds. I love the theme repeated in many mediums.

Quote taken from "The Family: A Proclamation to the World" painted with wall color and shadow and highlight.
Quote taken from "The Family: A Proclamation to the World" painted with wall color and shadow and highlight.
Labels:
animals,
before and after,
birds,
David Babcock art,
muted,
quotes
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